APHA members will soon receive Printing History 34. Managing Editor editor, and APHA’s Vice President for Publications, Josef Beery shepherded this 76-page issue and was ably advised by the Editorial Committee: Johanna Drucker, Sam Lemley, Paul Shaw, and Irene Tichenor. [Read more]
APHA members will soon receive Printing History 33. Guest editor, and APHA’s Vice President for Programs, Danelle Moon developed this 80-page issue from the theme of APHA’s 2022 conference Making Artistic Noise: Printing and Social Activism from the 1960s to the Present. Ms. Moon was ably advised by the Editorial Committee: Josef Beery, Sam Lemley, Paul Shaw, and Irene Tichenor. [Read more]
The American Printing History Association invites submissions for the next issue of its peer-reviewed journal Printing History. Seeking to represent the discussions begun at its recent conference in LA, “Making Artistic Noise: Printing and Social Activism from the 1960s to the Present,” this issue will feature articles from conference presenters and panelists. Research and comments from the wider community are welcome. [Read more]
Please join us in welcoming our new Printing History guest editor, Dr. Daniel Arbino. Daniel is the Head of Collection Development for the Nettie Lee Benson Latin American Collection at the University of Texas at Austin. He obtained his PhD in Latin American literatures and cultures from the University of Minnesota in 2013 with an emphasis on the orphan trope in twentieth-century Caribbean literatures. [Read more]
These issues—and others—are available to the public through RIT Press. Here are the links for 27/28 and 29/30.
Left: Sample cover for a Bible, which would have been carried by a book agent to give customers a sense of their options when purchasing a bespoke Bible. (Zinman Collection of Canvassing Books at the University of Pennsylvania) Right: An idealized engraving of the work of the Bible Society in disseminating scripture, by Asher Brown Durand (1796–1886). (New York Metropolitan Museum of Art)
Printing History 25, produced by the team of Brooke Palmieri, editor; Michael Russem, publication designer; and Katherine Ruffin, Vice-President for Publications, is being mailed to APHA members this week. [Read more]
Cover: An experiment in multitudinous tints, William N. Weeden’ color printing process, is preserved in several small specimens, made as a proof of concept while visiting England in July 1886. Image: “Proposed Alphabets for the Blind, Under Consideration of the Society of Arts for Scotland,” listing twenty different alphabetical systems for the blind, primarily drawn from Europe. Image courtesy of Perkins School for the Blind.
Printing History 24, produced by the team of Brooke Palmieri, editor; Michael Russem, publication designer; and Katherine Ruffin, Vice-President for Publications, is being mailed to APHA members this week. [Read more]
Brooke Palmieri, editor, and Michael Russem, designer, are putting the finishing touches on Printing History 24, which will be printed and mailed to all APHA members in the few weeks. Advertising space is available for purchase. Sizes and prices can be found here.
To reserve space for an ad, please email publications@printinghistory.
Left: Antonius Augustinus, Rome: appresso Guglielmo Faciotto, 1592 (detail). The first fully illustrated edition of Agostini’s book on coins is also the first known book to be illustrated by a woman artist. Right: Risograph prints on display at Rabbits Road Press, an open-access print studio in East London, whose co-founder Heiba Lamara is interviewed in Printing History 23.
Printing History 23, produced by the team of Brooke Palmieri, editor; Michael Russem, publication designer; and Katherine Ruffin, Vice-President for Publications, is now in production at PuritanCapital in Hollis, New Hampshire. [Read more]