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2018 Mark Samuels Lasner Fellowship in Printing History

The American Printing History Association (APHA) is currently accepting applications for the 2018 Mark Samuels Lasner Fellowship in Printing History for the study of printing history. An award of up to $2,000 is available for research in any area of the history of printing, including all the arts and technologies relevant to printing, the book arts, and letter forms.  [Read more]

ISO: 19th Century Women Printers

From the contact form:

Hi, I’m a doctoral student at Columbia University. I’m researching women printers and printers from minority backgrounds in the US and UK who worked during the long 19th century.   [Read more]

ISO: History of Image Plates

Paul Moxon, Website Editor

Via the contact form:

I am trying to find the history of the printed picture i.e. Stone, Wood, Lead Block, Lead plate nail mounted, Brass plate nail mounted, Zinc plate nail mounted, Zinc plate glued mounted, and Polymer plate glue mounted. Is there any history for this? —Peter Merrill

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Neither Good, Fast, Nor Cheap: Challenges of Early Arabic Letterpress Printing

Hala Auji

Extending the upcoming 2017 APHA conference’s theme beyond North America, one can say that Arabic printing, in its early history, was not “Good, Fast, and Cheap.” It was quite the opposite. In spite of that, the technological and material limitations around which early Arabic printers worked prompted the search for innovative and unusual visual solutions to technical problems. Before turning to a couple interesting examples, a little should be said about the history of Arabic printing in general, or, more importantly, how it is distinguished from that of printing in Europe and America. While Gutenberg’s revolutionary work heralded printing in the modern world and is typically credited with the subsequent proliferation of printed books that democratized knowledge production, Arabic-script book production in the Islamic world took a different path.  [Read more]

ISO: 1940s Printshop

Via the contact form:

I am trying to found out what type of printing presses would have been used 75 years ago in a small 2- or 3-person shop. The shop would have printed invitations, flyers and bulletins, and perhaps even a small weekly or bi-monthly newspaper. Also from what companies would this shop have purchased paper, ink, etc. Thank you for any assistance you can provide. —Frank Caso

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Printing History 22 in the Mail

Printing History 22, the second issue produced by the team of Brooke Palmieri, editor; Michael Russem, publication designer; and Katherine Ruffin, Vice-President for Publications, has just been mailed to APHA members. Kim Schwenk is the guest editor of this issue, which is based on the Black Arts and Printer’s Devils theme of the APHA conference held at the Huntington Library in October 2016.  [Read more]

2017 Lieberman Lecturer: Kathleen Walkup

7:30 pm,  Thursday, November 2, the University of Iowa English Philosophy Building (EPB), room 107. Free & open to the public

 

Women & the Labor of Print: An American Story

Women printers were a central presence in colonial and early republican America. Between 1639 and 1820 at least 25 women press owners ran businesses, acted as publishers and performed other work, such as postmistress and shopkeeper, that was often a core part of the printer’s role. By 1821, the number of women press owners in the newly formed states had dropped to one. Women didn’t disappear from printing; their collective role, however, changed substantially in the industrializing U.S. This illustrated talk will examine case studies of women and printing in eighteenth and nineteenth century America to explore women’s shift from owner to worker, with a seventeenth-century aside to query just who was America’s first printer.  [Read more]

Johannes Teyler (1648–1709?) and Colour Printed Fabric

Ad Stijnman

This text is a revised and edited version of the chapter “Printing Fabric” in Johannes Teyler and Dutch Colour Prints, Ad Stijnman (comp.), Simon Turner (ed.), IV pts (Ouderkerk aan den IJssel: Sound & Vision, in co-operation with The Rijksmuseum Amsterdam, 2017), in the series: The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700.

Fig. 1 – Putto Carrying a Basket with a Flower Bouquet on his Head, in profile to the left (NHD (Teyler), no. 36, state II), etching inked à la poupée printed on linen trimmed to fit on a hand fire screen, screen is 26 × 20 cm (max.) (Amsterdam, Rijksmuseum, BK-NM-3152)

[Read more]

ISO: Identify Production Presses, Circa 1900

Via the contact form:

I am a visual journalist at the Reading Eagle newspaper. We are working on a project celebrating our 150th anniversary here in Reading, Pennsylvania. These photographs show our pressmen working on two different presses, circa 1900. Each press is a different model. I’ve looked extensively through our archives and online but cannot identify the presses.  I have consulted the books GOSS: Proud of the Past and Koenig & Bauer: 1817-1992: 175 Years because we have a history of using those manufacturers but no luck. Thanks for your help, Craig Schaffer [Read more]

ISO: statistics on newspaper, book and print industry

I’m a history student from Germany and as such assisting Prof. Dr. Kim Christian Priemel in a research project on the history of the newspaper, book and print industry in the 20th century.  [Read more]