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Printing the Conference Program

Grendl Lofkvist

Inkworks Printing

Grendl Löfkvist operating the Presstek 34 DI-X at Inkworks Press. Photo by Scott Braley.

Members of APHA and the Friends of Dard Hunter, will soon receive by mail, the program for the upcoming conference in San Francisco. It was printed on a Presstek 34 DI-X four-color waterless offset press at Inkworks Press. On this high-tech machine, plates are imaged directly on press using lasers, bypassing film entirely. The press can produce up to 300 lpi and stochastic screening in perfect register. [Read more]

Festoons of Fancy

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Via the contact form:

I have a printing plate from the title page of Festoons of Fancy, William Littell, 1814, Louisville, Ky. I have been told that the title page would have been typeset and not printed from a plate. Have researched endlessly on line with very little success. Can it be determined by looking at the book which printing method was used? Thank you in advance for your time and any insight you can provide. See image. [Read more]

Nominations Needed

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APHA annually makes two awards, one to an individual and one to an institution, as a way of recognizing “a distinguished contribution to the study, recording, preservation or dissemination of printing history, in any specific area or in general terms.” The 2015 Awards Committee, comprising Amanda Nelsen, Kathleen Walkup, and Michael Thompson (chair), is now accepting nominations for these awards. [Read more]

Postcard from Printers’ Row

Paul Moxon

Andrew Franklin Wanner (1855–1935) was a central figure on Chicago’s printers row. Letterpress printers might know his company as the original maker of Poco and Potter proof presses. It was also one of the earliest selling agents for Vandercook, the most sought after brand of proof press today. [Read more]

Conference Registration is Open

Sara T. Sauers

PoP-logo-color

Paper on the Press, APHA’s Joint Annual 2014 Conference with the Friends of Dard Hunter is now accepting registration. Paper on the Press has something for you! From hand-made to machine-made to digital, from industry to education to the arts, we hope you will join us in examining the historical and contemporary ties that connect paper and press. Presentations, demonstrations, exhibitions, excursions, camaraderie, San Francisco, and Oakland all await you. Program information and registration are now available.

ISO: William S. Dorr, NYC printer ca. 1833

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Via the contact form:

I am writing my dissertation on the printing enterprise of the American Anti-Slavery Society, 1833-1840, and am trying to find information on one of the printers it used by the name of William S. Dorr. Do you know of any archives or sources in New York City that might have information on Dorr or the printing industry in New York City in the 1830s? Thanks, Paula Hunt.

Anglo-American Coöperation

Robert McCamant

I’m pleased to announce that APHA and the Printing Historical Society of the UK have agreed to start offering reciprocal benefits to our memberships.

APHA members can attend most PHS events and purchase some PHS publications at the member price. PHS members will be invited to do the same with APHA events.

As it happens, PHS is about to stage a sizeable conference in honor of their 50th anniversary. It’s to be November 13 and 14 in London, and has an impressive array of speakers on a variety of topics. As an APHA member, you are entitled to attend at the rate of £95 (about $162 at today’s rates). The list of speakers and a link to an online registration page can be found here.

Current paid-up APHA members should have received the discount registration code in their email. If you’re not paid up, there’s no better time than the present to fix that.

We’re happy that we’re going to have a blockbuster fall conference in San Francisco October 16-18 as an enticement for PHS members to visit us.

—Bob McCamant, APHA President

Navigating Print Identification with Graphics Atlas

Amelia Hugill-Fontanel

A postcard showing chromolithograph color overlaid with a letterpress halftone under varying magnification, as shown in Graphics Atlas.

A postcard showing chromolithograph color overlaid with a letterpress halftone under varying magnification, as shown in Graphics Atlas.

Admit it: you are among the special set of people, like me, who carry around a loupe to examine dot structure on demand. If so, the Graphics Atlas will become your new favorite web haunt for educational reading and pure delight. [Read more]

ISO: Image Transfer Options

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Via the contact form:

The Altoona Mirror newspaper has a number (probably more than 100) of historical photos of the Altoona area, Pennsylvania Railroad, etc. from the early to mid-1900s on flat metal lithographic plates. Is there a way of getting prints or digital scans of the plates so we can put them in a usable format? Unfortunately, they kept the plates but not the photo prints they were made from. Any advice or suggestions would be appreciated. At this point, I’m not aware of any companies that can make the prints.

ISO: John A. Gray, c.19th Publisher

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Via the contact form:

I am trying to find information pertaining to a John A. Gray who owned a publishing house in New York City in the mid to late 19th century. There is a lot of information on Gray’s company but very little on Gray himself. If you have any information regarding Gray’s biography I would greatly appreciate it if you could point me in the right direction. I look forward to your swift reply. Thank you.