Page spread from The Trained Printer and the Amateur: and the Pleasure of Small Books by Alfred W. Pollard, Lanston Monotype Corp., 1929. Title on cover: “New Series of the Centaur types of Bruce Rogers and the Arrighi Italics of Frederic Warde. Cut by Monotype and here first used to print a paper by Alfred W. Pollard.” (RIT Cary Collection)

At 6:30 p.m. on Monday, 17 November, the 2014 Lieberman Lecture sponsored by the American Printing History Association took place at the Melbert B. Cary Jr. Graphic Arts Collection in the Wallace Center at the Rochester Institute of Technology. Professor Herbert H. Johnson delivered an excellent address entitled “History of a Type Design: Centaur by Bruce Rogers. With a Footnote on Its Erstwhile Companion, Arrighi, by Frederick Warde.” Professor Johnson skillfully demonstrated how Rogers was able to orchestrate the association of his roman type with the complimentary one of Warde’s italic font. [Read more]

Working layouts for a celebratory broadside for J. Ben Lieberman, designed by Herbert Johnson and printed by Pat Taylor, 1978. Gift of H. Johnson to RIT Cary Collection, 2014.

American Printing History Association presents

The Lieberman Lecture

Anatomy of a Type Design: Centaur by Bruce Rogers*

By Herbert H. Johnson
*And a Footnote on Its Erstwhile Companion, Arrighi by Frederic Warde
Monday, November 17, 2014, 6:30 p.m.
RIT Cary Graphic Arts Collection, Rochester, New York [Read more]