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Georgianne Liesch, Jennifer Anne & David Carpenter—Demonstration of Wood Type Cutting at the Museum

Val Lucas

Georgianne Liesch and Jennifer Anne at the Pantograph with finished type. (Michael Ditmer)

Fri., Nov. 6 | George, Jennifer, and David gave an in-depth overview of the process of making wood type at the Hamilton Wood Type Museum. George, whose father ran the type shop at Hamilton and owned his own printing business, now works with apprentice Jennifer to keep the traditional techniques alive. [Read more]

Stephanie Carpenter—Play on Press

Katherine M. Ruffin

Stephanie Carpenter at the Press (Stephanie Carpenter/David Carpenter)

Sun, Nov. 8 | Stephanie Carpenter, the Program Officer at the Hamilton Wood Type Museum, and one of the hosts of the Awayzgoose presented a variety of techniques for printing during a 45-minute demonstration. Stephanie began her demo by sharing her process for working with wood type by creating a poster with the museum’s slogan of “Visit, Learn, Print, Repeat.” [Read more]

Alexander Cooper & Tim Hutchinson—The MODUS Type Project

Christopher Patton

Modus System, character proof (Cooper + Hutchinson)

Thurs. Oct. 29 | Alexander Cooper and Tim Hutchinson introduced participants to Understanding Molecular Typography, a textbook that explores the atomic composition of letterforms. The book is a prank, an “elaborate work of non-narrative fiction” by the book artist Woody Leslie, but the conceit, letters as organic molecules, is worth some thought, and it inspired Alex and Tim to create the MODUS Type System. [Read more]

Bruce Licher & Richard Kegler—Keynote Presentation

Bryan Bedell

Bruce Licher (Bruce Willey Photography)

Sun, Nov. 8 | Bruce Licher is a deservedly-revered and influential printer/designer/artist/musician whose book, Savage Impressions: An Aesthetic Expedition Through the Archives of Independent Projects Records & Press, was released earlier this year by P22 Type Foundry. [Read more]

Shani Avni—Back to the Shtetl: The Prospects of Hebrew Wood Type

Brian Ferrett

RIT Cary Graphic Arts Hebrew Wood Type Collection. (Amelia Hugill-Fontanel)

Sat., Nov. 7 | Shani Avni’s talk on Hebrew wood type was filled with so much interesting information that I realized while going through my many pages of notes that there is no way to recap everything. Avni is currently undertaking the cataloging of around 40 fonts of Hebrew wood type in the Cary Graphic Arts Collection at R.I.T. These fonts were acquired in 2014 from the artist Richard Rockford. [Read more]

Susan Skarsgard —Keynote Presentation

Lisa Dunseth

Where Today Meets Tomorrow: Eero Saarinen and the General Motors Technical Center by Susan Skarsgard. Princeton Architectural Press, 2019 (James Haefner)

Fri., Nov. 6. | Susan Skarsgard surprised me with her story about designing nameplates and emblems for a big car company—how could working for General Motors be interesting? Her unlikely and mundane beginnings as a hospital ward clerk led her to study calligraphy with Friedrich Neugebauer, who showed her how an artist lived and whose “mystic art of written forms” inspired and changed her. [Read more]

Stuart Sandler—The Hamilton Script Font Project

Amy Redmond

A section of the former Hamilton factory featuring the Hamilton logo mark on which the Hamilton Script font is based. (Ann Sandler/Font Diner)

Sun, Nov. 8 | On a hot day in August 2011—under the slim shadow of a Sundae sign in Two Rivers, Wisconsin—typeface designer Stuart Sandler had a vision that altered the course of his family vacation. Nine years later, his dream of turning Hamilton Wood Type’s famous blue sign into a functional script typeface was finally realized. [Read more]

AWAYzgoose Auction

Check out our AWAYzgoose Auction! Books, prints, and typographic goodies are for sale to benefit the Hamilton Wood Type & Printing Museum and APHA’s BIPOC initiatives. Start your holiday shopping here. Closes November 8th at 7 pm EST. 

A Golden Hind Artifact

Paul Moxon, Website Editor

Left: Arthur W. Rushmore posting his hand-painted sign, May 30, 1941. Right: the sign as it looks today, 20 × 15″. (Courtesy of Edna Macphail)

Recently, Mrs. Edna Macphail asked for recommendations for donating materials in her possession associated with, or printed by, her grandfather Arthur W. Rushmore (1883–1955). Rushmore, a book designer and head of manufacturing for Harper & Brothers Publishers, is known today for his private Golden Hind Press, established with his wife Edna Keeler Rushmore, in 1927. [Read more]

Call for Nominations: APHA Board Trustees

The American Printing History Association (APHA) invites nominations for two Trustee positions for 2021–2023.  [Read more]