I am making a census of the 1882 specimen book issued by George Bruce’s Son New-York Type-Foundry. Would anyone owning copies please get in touch with me so that I can ask several questions about your copy. Thank you.
paulshaw[at]nyc.rr.com
(Nina Schneider)
The Book Club of California celebrated its 235th publication with a lecture tour, of sorts, for members and friends up and down the Golden State during the month of May. Robert Bringhurst’s Palatino: The Natural History of a Typeface is an important and elegantly produced book that is as much about the typographer as it is about the typeface. Hosted at the new Hoffmitz Milken Center for Typography at Pasadena’s ArtCenter College of Design, Bringhurst gave an illustrated talk about his book, Hermann Zapf and the typographer’s sixty-year devotion to the Palatino typeface. Spanning the major eras in printing history, Zapf’s compulsion, dictated by his uncompromising attention to detail, resulted in Palatino being designed for foundry type, redesigned for film, and redesigned again for digital typography. Bringhurst’s exploration of these modifications was the impetus for the book and he shared some of the highlights during his lecture. As he explained, he wrote a natural history of a typeface through the life of Hermann Zapf. [Read more]
Specimens of Chromatic Wood Type, Borders, etc. Manufactured by Wm. H. Page & Co., Greeneville, Conn. : The Co., 1874. 655.241 P133sp
Rob Roy Kelly wrote that Wm. H. Page’s Specimens of Chromatic Wood Type, Borders, Etc., 1874 “has been rightfully acclaimed as containing the most superb wood type specimens ever printed.” This tome of 100 plates featured Page’s fantastic character designs, intricate borders and tint blocks, precisely printed in up to 7 colors each—sometimes with metallic inks, and always with interesting overprinted hues. About a dozen copies exist in libraries nationwide, and it is this rarity that encouraged curators at RIT Cary Graphic Arts Collection to have RIT’s copy digitally photographed. [Read more]