George Cruikshank, “The New Union Club,” ca. 1819. Etching with engraving and publisher’s coloring. (National Maritime Museum, Greenwich, London, Michael Graham-Stewart Slavery Collection. Acquired with the assistance of the Heritage Lottery Fund)

Sat., Oct. 26  |  Robyn Phillips-Pendleton, “The Role of Illustrators, Engravers, and the Printing Press in the Discussion of Race in America” ❉ María Helena Barrera-Agarwal, “Lanuza, Mendia & Co.: A Spanish-language Publishing House in Early Nineteenth Century New York” ❉ Jordan Wingate, Special Mark Samuels Lasner Fellowship Paper: “The ‘Negro Press-hand’ of the Charleston Courier” [Read more]