Contents of Printing History (New Series)
This consolidated table of contents to Printing History New Series contains authors (or reviewers) and titles. (The consolidated table of contents for Printing History Original Series is here.) References are made to whole issue numbers and pages. See APHA’s list of back issues for sale and issue numbering of Printing History. Some out-of-print issues can be found at many research libraries.
Authors are named at the beginning of each article. Names of reviewers are noted in square brackets after the author/title of the book. Reviews signed “WP” were written by former editor William S. Peterson.
Jump to Whole Number issue 1 2 3 4 5 6 7-8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27–28 29–30 31–32
New Series Number 1 (January 2007)
Gregory Graalfs, Photography in Reproduction: Its Role in the Settlement of California.
Kitty Maryatt, Experience Gutenberg Project: Printing Beorum II at the Scripps College Press.
Reviews
Christopher de Hamel and Joel Silver, Disbound and Dispersed: The Leaf Book Considered. [WP]
Irene Tichenor, No Art without Craft: The Life of Theodore Low DeVinne, Printer. [WP]
James N. Green and Peter Stallybrass, Benjamin Franklin, Printer and Writer. [Calhoun Winton]
John A. Lane, Early Type Specimens in the Plantin-Moretus Museum.[Alastair Johnston]
Lawrence Wallis, George W. Jones: Printer Laureate. [WP]
Richard Southall, Printer’s Type in the Twentieth Century: Manufacturing and Design Methods. [WP]
Jane Pomeroy, Alexander Anderson: Wood-engraver and Illustrator.[Alastair Johnston]
Ari Rafaeli, Book Typography. [WP]
Michael Mitchell and Susan Wightman, Book Typography: A Designer’s Manual. [WP]
Maureen Watry, The Vale Press: Charles Ricketts, A Publisher in Ernest.[WP]
Type and Typography: Highlights from Matrix, the Review for Printers and Bibliophiles. [WP]
Fred Smeijers, Type Now: A Manifesto, plus Work So Far. [Alastair Johnston]
John A. Lane and Robert Slimbach, Garamond Premier Pro: AContemporary Adaptation. [WP]
Reynolds Stone, The Albion Press. [WP]
New Series Number 2 (July 2007)
Lance Hidy, Calligraphy and Letterpress in Design Education.
Matthew J. Shaw, Keeping Time in the Age of Franklin: Almanacs and the Atlantic World.
Reviews
Tyrus Harmsen and Stephen Tabor, The Plantin Press of Saul and Lillian Marks: A Bibliography. [Alastair Johnson]
Betty Bright, No Longer Innocent: Book Art in America. [WP]
Richard B. Doubleday, Jan Tschichold, Designer: The Penguin Years. [WP]
James Mosley, Handmade Type: Thoughts on the Preservation of Typographic Materials. [Stephen O. Saxe]
Simon Loxley, Type: The Secret History of Letters. [WP]
Moira F. Harris and Leo J. Harris, Minnesota on Paper: Collecting our Printed History. [WP]
Virginia Smith, Forms in Modernism: The Unity of Typography, Architecture and the Design Arts. [WP]
Mathieu Lommen, Sem Hartz and the Making of Linotype Juliana. [WP]
Don Hauser, Printers of the Streets and the Lanes of Melbourne. [WP]
Jenny Uglo, Nature’s Engraver: A Life of Thomas Bewick. [WP]
New Series Number 3 (January 2008)
Gabe Smedresman, Geofroy Tory’s Champ Fleury in the Context of the Renaissance Reconstruction of the Roman Capital Alphabet.
Joan Boudreau, Publishing the U.S. Exploring Expedition: The Fruits of the Glorious Enterprise.
Reviews
Scott-Martin Kosofsky, ed. The SP Century: Boston’s Society of Printers through One Hundred Years of Change. [Martin Antonetti]
Peter Holliday, Edward Johnston: Master Calligrapher. [Jerry Kelly]
Frans A Janssen. Technique and Design in the History of Printing. [Alastair Johnson]
Alice H.R.H. Beckwith, Illustrating the Good Life: The Pissarros’ Eragny Press, 1894-1914. A Catalogue of an Exhibition of Books, Prints and Drawings Related to the Work of the Press. [WP]
New Series Number 4 (July 2008)
James Mosley, The Materials of Typefounding: A List of Surviving Collections.
Simon Loxley, Frederic Warde, Crosby Giage, and the Watch Hill Press.
New Series Number 5 (January 2009)
H. George Fletcher, Aldus, UCLA, and Me.
Nile Green, The Development of Arabic-Script Typography in Georgian Britain.
Reviews
Christopher Burke, Active Literature: Jan Tschichold and New Typography. [Jerry Kelly]
Alan Bartram, Typeforms: A History. [Alastair Johnston]
Scott E. Casper, Jeffrey D. Groves, Stephen W. Nissenbaum, and Michael Winship, eds., A History of the Book in America (vol. 3). [Paul S. Koda]
Neil Macmillan, An A–Z of Type Designers. [WP]
Graham Hudson, The Design and Printing of Ephemera in Britain and America 1720–1890. [Alastair Johnston]
Richard Landon, Humane Letters: Bruce Rogers, Designer of Books and Artist. [WP]
Robin Dodd, From Gutenberg to Opentype: An Illustrated History of Type from the Earliest Letterforms to the Latest Digital Fonts. [WP]
John Buchanan-Brown, Early Victorian Illustrated Books: Britain, France, and Germany, 1820–1860. [WP]
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New Series Number 6 (July 2009)
Barbara Heritage, Collecting Litho Jam Jar Labels and Teaching Wood-Engraved Elephants: Rare Book School’s Printing Surfaces Collection.
Jerry Kelly, Hermann Zapf at Ninety
Richard L. Hopkins, Saving Printing History Outside the Box.
Reviews
Giancarlo Petrella, Uomini, torchi e libri nel Rinascimento. [Paul F. Gehl]
T. H. Howard-Hill, The British Book Trade, 1475–1890: A Bibliography.[WP]
Hendrik D. L. Vervliet, The Paleo-Typography of the French Renaissance: Selected Papers on Sixteenth-Century Typefaces.[Alastair Johnston]
Carl F. Kaestle and Janice A. Radway, eds., A History of the Book in America, Volume 4: Print in Motion: The Expansion of Publishing and Reading in the United States, 1880–1940. [Paul S. Koda]
Doug Clouse, MacKellar, Smiths & Jordan: Typographic Tastemakers of the Late Nineteenth Century. [Alastair Johnston]
Jerry Kelly, The First Flowering: Bruce Rogers at the Riverside Press, 1896–1912. [WP]
Elizabeth Evenden, Patents, Pictures and Patronage: John Day and the Tudor Book Trade. [WP]
Robert Oldham, A Field Guide to North American Hand Presses and Their Manufacturers. [WP]
Rob Banham and Fiona Ross, eds., Non-Latin Typefaces.[WP]
Donald Farren and August A. Imholtz, Jr., eds., The Baltimore Bibliophiles at Fifty, 1954–2004. [WP]
Margaret Willes, Reading Matters: Five Centuries of Discovering Books.[WP]
New Series Number 7 (January 2010)
John Kristensen, The Book [Broadside, Bookplate, Business Card, and Birth Announcement] Beautiful.
David Shields, Considering Rob Roy Kelly’s American Wood Type Collection.
Reviews
Jay T. Last, The Color Explosion: Nineteenth Century American Lithography. [Alastair Johnston]
Kate van Winkle Keller, Printers of Ballads, Books, and Newspapers: Biographical Notes and Checklists for Nathaniel Coverly, Sr., Nathaniel Coverly, Jr., and Joseph White. [Paul S. Koda]
Nancy Finlay, ed. Picturing Victorian America: Prints by the Kellogg Brothers of Hartford, Connecticut, 1830–1880. [Paul S. Koda]
New Series Number 8 (July 2010)
Susan Ashbrook, Two Portraits of Cape Cod: Amelia Watson and Clare Leighton.
Matthew McLennan Young, The Rise and Fall of the Printers’ International Specimen Exchange.
Andrew M. Stauffer, Legends of the Mummy Paper.
Reviews
Yosef Goldman, Hebrew Printing in America 1735–1926: A History and Annotated Bibliography. [Scott-Martin Kosofsky]
Richard Benson, The Printed Picture. [Martin Antonetti]
Roberta A. Gross and Mary Kelley, eds., A History of the Book in America. Volume 2: An Extensive Republic: Print, Culture, and Society in the New Nation, 1790–1840. [Paul S. Koda]
New Series Number 9 (January 2011)
Michael Winship, Pirates, Shipwrecks, and Comic Almanacs: Charles Ellms Packages Books in Nineteenth-Century America.
Alastair M. Johnston, A Glance at the First Century of California Printing.
Ellen Mazur Thomson, The Cornhill Booklet, 1900–1914.
New Series Number 10 (July 2011)
William Berkson, Readability and Revival: The Case of Caslon.
Betsy Davids, From Palm Leaf to Book: A South Asia Quest.
Marvin J. Heller, Behold, You Are Beautiful, My Love: The Use of Ornamental Frames in Hebrew Incunabula.
Reviews
Michael F. Suarez, S.J., and H.R. Woudhuysen, eds. The Oxford Companion to the Book [Reviewed by Paul S. Koda]
Hendrik D.L. Vervliet, French Renaissance Printing Types: A Conspectus[Reviewed by Alastair Johnston]
Matthew McLennan Young, Field & Tuer, the Leadenhall Press [Reviewed by Alastair Johnston]
Alan Loney, The Books to Come
Martin Hopkinson, Ex Libris: The Art of Bookplates
New Series Number 11 (January 2012)
Betty Bright, History as Fable
Gary H. Price, Spaces
Jonathan M. Yeager, Samuel Kneeland of Boston, Colonial Bookseller, Printer and Publisher of Religion
Reviews
William S. Peterson and Sylvia Holton Peterson, The Kelmscott Chaucer: A Census
Jerry Kelly, The Art of the Book in the Twentieth Century: A Study of Eleven Influential Book Designers from 1900 to 2000
New Series Number 12 (July 2012)
Joan Boudreau, The Portable Press and Field Printing During the American Civil War.
Reviews
Martin Hopkinson, Ex Libris: The Art of Bookplates [Reviewed by Jeffrey Mifflin]
David Pearson, Books as History: The Importance of Books Beyond Their Texts [Reviewed by Jeffrey Mifflin]
New Series Number 13 (January 2013)
David Hanson, Edaward Bierstadt, Color Photography and Color Printing
William T. La Moy, Frederic Fairchild Sherman and his Goudy Typefaces
Gwido Zlatkes, One Hundred and Twenty Thousand “Duplicator Hours”: Underground Printing in Communist Poland, 1976-1989
Reviews
Patrick Leary, The “Punch” Brotherhood: Table Talk and Print Culture in Mid-Victorian London [Reviewed by Jeffrey Mifflin]
New Series Number 14 (July 2013)
Gary H. Price, Printing Mathematics
Mathilde Kredel Brown Swanson, Fritz Kredel: Artist, Illustrator, and Grandfather
New Series Number 15 (January 2014)
Donald C. O’Brien, The Engravers of Philadelphia’s Port Folio Magazine
Walker Rumble, Jacobs, Dwiggins and the Short Life of Linotype Charter
New Series Number 16 (July 2014)
John Goree, The Woodblocks of Vesalius and the Printings: From the Renaissance to the Modern Era
Todd Samuelson, Still Life
reviews
Keri Yousi, Balzac, Grandville, and the Rise of Book Illustration [William T. La Moy]
Frances Wood and Mark Barnard, The Diamond Sutra: The Story of the World’s Earliest Dated Printed Book [Hala Auji]
New Series Number 17 (January 2015)
Daniel W. Bly, Who Was Paul Messerschmidt?
Marvin J. Heller, The Eagle Motif in Sixteenth- and Seventeeth-Century Hebrew Books
A Short Essay and a Letter by Christopher Morely on Publishing Matters Transcribed and Annotated William T. La Moy
reviews
Sue Rainey, Creating A World on Paper: Harry Fenn’s Career in Art. [Reviewed by Jeffrey Mifflin]
New Series Number 18 (July 2015)
Craig Eliason, A History of the “Humanist” Type Classification
Timothy P.J. Perry, Early Depictions of the Printing Press
reviews
Kay Amert, The Scythe and the Rabbit: Simon de Colines and the Culture of the Book in Renaissance Paris [Reviewed by Paul Gehl]
New Series Number 19 (January 2016)
William T. La Moy, An Autographed Letter (Signed) from Frederic W. Goudy to [Alpheus] Sherwin Cody Dated 18 August 1935
William T. La Moy, Frederic W. Goudy’s Formal Tribute to Bertha M. Goudy
Elizabeth Savage, The Mystery of the “Scrappy Fragments”: Untangling Robert Steele’s Discovery of Frisket Sheets
reviews
John Bidwell, American Paper Mills, 1690-1832: A Directory of the Paper Trade with Notes on Products, Watermarks, Distribution Methods, and Manufacturing Techniques [Reviewed by Sydney Berger]
Frank Romano, History of the Linotype Company [Reviewed by Jeffrey Mifflin]
Richard L. Hopkins, Tolbert Lanston and the Monotype: The Origin of Digital Typsetting [Reviewed by Jeffrey Mifflin]
New Series Number 20 (July 2016)
Donald Lankiewicz, “Mein Kampf in America: How Hitler Came to be Published in the United States”
Gordon Neavill “The Illustrated Modern Library Series”
reviews
Simon Loxley, Printer’s Devil: The Life and Work of Frederic Warde [Reviewed by Jeffrey Mifflin]
Gill Partington and Adam Symth, Ed, Book Destruction from the Medieval to the Contemporary [Reviewed by Jeffrey Mifflin]
New Series Number 21 (Winter 2017)
An interview with Kseniya Thomas
Caroline Archer-Parré, Leonard Jay: A Pioneer of Printing Education
John Kristensen, The Merrymount Janson Type and Matrices
John Labovitz, The Electric Typesetter: The Origins of Computing in Typography
reviews
Claire M. Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478 [Daniel Traister]
Ellen Mazur Thomson, Aesthetic Tracts: Innovation in Late-Nineteenth-Century Book Design [Reviewed by Jeffrey Mifflin]
Richard-Gabriel Rummonds, Fantasies and Hard Knocks: My Life as a Printer [Katherine M. Ruffin]<
Richard Kegler, The Aries Press of Eden, New York [Jonathan Senchyne]
New Series Number 22 (Summer 2017)
Jesse Ryan Erickson, An Aesthetic History of the Ouija Board
E. Haven Hawley, William Berry: Publisher, Scoundrel, and Spiritualist
Marvin J. Heller, The Lion Motif on Early Hebrew Title Pages and Pressmarks
reviews
Mark R. Godburn, Nineteen-Century Dust Jackets [Jeffrey Mifflin]
William J. Kiesel, Printers Devices in Esoteric Publishing [Kim Schwenk]
New Series Number 23 (Winter 2018)
Interview with Heiba Lamara
James T. Cameron and George D. Barnum, Invisible Writing Made Visible: The U. S. Government Printing Office and Prisoner of War Stationery in the Second World War.
Lisa Unger Baskin, The Myth of Some Unconventional Women.
Amy Hildreth Chen, Michelle Chesner, and Shannon K. Supple, Roundtable Discussion: Teaching Printing History with Codex Conquest.
reviews
Emma Smith, The Making of Shakespeare’s First Folio. [Jeffrey Mifflin]
Emma Smith, Shakespeare’s First Folio: Four Centuries of an Iconic Book. [Jeffrey Mifflin]
Paul Shaw, Revival Type: Digital Typefaces Inspired by the Past. [Jerry Kelly]
Misha Beletsky and Jerry Kelly, The Noblest Roman: A History of the Centaur Types of Bruce Rogers. [Brooke Palmieri]
New Series Number 24 (Summer 2018)
An Interview with Douglas Charles, Journeyman Printer
Amanda Stuckey, Tactile Literacy
Erin Schreiner, Printing the Screenplay in Hollywood and Beyond
Amelia J. Hugill-Fontanel, Multitudinous Tints: An Inventor’s Pursuit of Instantaneous Multicolor Printing
Paul Shaw’s response to Jerry Kelly’s review of Revival Type: Digital Typefaces Inspired by the Past (2017) published in Printing History 23 (Winter 2018).
reviews
Hala Auji, Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut. [Radha Dalal]
Douglas W. Charles, Bed & Platen Book Printing Machines: American and British Streams of Ingenious Regression in the Quest for Print Quality. [Stephen Sword]
Caroline Archer-Parré and Malcolm Dick, eds. John Baskerville: Art and Industry of the Enlightenment. [Paul Shaw]
New Series Number 25 (Winter 2019)
An Interview with Bruce Kennet, author of W.A. Dwiggins: A Life in Design, published by the Letterform Archive in 2017
Lynne Farrington, A Very Good Book Indeed: Selling Bibles by Subscription in Nineteenth-Century America
Jeffrey Makala, Spiritual Machinery’: The American Bible Society and the Mechanisms of Large-Scale Printing in the Early Nineteenth Century
reviews
Michalis Pichler, editor Publishing Manifestos
New Series Number 26 (Summer 2019)
An Interview with Thin Ice Press
Nina Schneider, The Printed Intarsia of Erasmus Loya
Fuchsia Voremberg, Chinook Jargon and Itinerant Mimeography in the Pacific Northwest
Ellen Mazur Thomson, To Feast with One’s Eyes: Colour Printing in Nineteenth-Century Cookbooks
reviews
James Raven, What is the History of the Book? [Katherine M. Ruffin]
Hendrik D.L. Vervliet, Robert Granjon, Letter-Cutter, 1513—1590: Oeuvre Catalogue [Brooke Sylvia Palmieri]
New Series Number 27–28 (Combined Issue 2020)
An Interview with Tia Blassingame of Primrose Press
Sarah Werner, “Working Toward a feminist Printing History”
Sonia Farmer, “Palimpsest of Paradise: The Craftsman Press Archive”
K.A. Wisniewski. “Compositors of Type: Mary Katharine Goddard, Frances Hopkinson, and Design in Eighteenth-Century America”
Todd Samuelson, “Imperfect Iterations: Duplicate Iconography in Wood Engraving Blocks”
Georgia Deal, “Paper and Print: A Rich History and Future”
reviews
Monique Lallier: A Retrospective [Fran Durako]
Maryam Fanni, Matilda Flodmark, and Sara Kaaman, editors, The Natural Enemies of Books [Brooke Sylvia Palmieri]
Mark Argetsinger, A Grammar of Typography [Jerry Kelly]
Simon Loxley, Emery Walker: Arts, Crafts, and a World in Motion and Richard Matthews and Joseph Rosenblum, editors, Printing For Book Production: Emery Walker’s Three Lectures … [George Barnum]
New Series Number 29–30 (Combined Issue 2021)
An Interview with Erin Beckloff
Marie Hofer “The Widow Will Print: A Notice on the Mechanization of Printing”
Katherine M. Ruffin, “Hannah Dustin French and the Book Arts Laboratory at Wellesley College”
Joan Boudreau, “A Confederate States of America Register of Vessels”
David A. Hanson and Steven F. Joseph, “’Heralding A New Era’: B. A. Girard’s Method of Photomechanical Halftone in France, 1863”
Marvin J. Heller, “The Deer Motif on Early Hebrew Book Title Pages”
New Series Number 31–32 (Combined Issue 2022)
Note to Printing Historians
Amelia FontanelRemarks on the 2021 Conference
Practitioner Interview: Nicole Delgado
Albert A. Palacios, “Prepublication Censorship and Licensing: The Spanish Crown’s Sixteenth-Century Book Trade”
Seonaid Valiant, “The Ancient Mexican Codex: Zelia Nuttallís Recontextualization of the Codex Tonindeye“
Marina Garone Gravier, “Hacia una cartografía de las muestras tipográficas de América Latina: Algunos ejemplos de los siglos XVIII al XX”
Paloma Celis Carbajal and Charles Cuykendall Carter, “Posada para el pueblo: A World-Class Print Collection Goes Digital”
Jorge N. Leal, “Seremos capaces de pensar por nuestra cuenta (We’re capable of thinking on our own): 1990s Immigrant Los Angeles and Latin American Intellectual and Publishing Traditions”
Estela Salome Solis Gutierrez and Araceli Benitez Arzate, “Qosqomic: El potencial del Comic Cusqueño Independiente como herramienta educativa y de resistencia cultural”
Joseph Velasquez, “Spreading the Ink!”
Book Reviews
Corinna Zeltsman, Ink Under the Fingernails: Printing Politics in Nineteenth-Century Mexico [Melissa Aslo de la Torre]
Sarah Aponte, La presencia dominicana en el periódico Las Novedades, 1876–1918: De breve mención a propietarios en la ciudad de Nueva York [Nelson Santana]